SEINFELD rúlar
Búinn að setja linka á aðalkallinn
m.a. handrit að öllum þáttunum.
Birti af því tilefni þrjú góð samtöl
[Setting: Jerry and George on a Bus]
GEORGE: It's just not good, it's not good.
JERRY: It's not good ?
GEORGE: I'm bored. She's boring, I'm boring, we're both boring. We got out to eat, we both read newspapers.
JERRY: Well at breakfast everybody reads.
GEORGE: No. Lunch we read, dinner we read.
JERRY: You read during lunch?
GEORGE: Ya
JERRY: Oh, well.
GEORGE: There's nothing to talk about.
JERRY: Ya, what's there to talk about.
GEORGE: Well at least you and I are talking about how there's nothing to talk about.
JERRY: Why don't you talk to her about how there's nothing to talk about?
GEORGE: She knows there is nothing to talk about.
JERRY: At least you'll be talking.
GEORGE: Oh shut up.(Al comes onto the bus)
AL: Hey, look who's here.
JERRY: Hey, Al.
GEORGE: Hey, Al. How's it going?
AL: (extremely happy) Deeply in love. We have soo many things to talk about. Sometimes we'll talk all night, till the sun comes up (pauses in his happiness; to George) so how about you?
GEORGE: Oh I'm seeing someone, yes. You know her, Daphne Bower.
AL: Great girl.
GEORGE: We have no need to speak. We communicate with deep soulful looks.
[Monk's]
George is sitting at the counter perusing a magazine. The waitress comes overto take his order.
WAITRESS: What d'you want?
GEORGE: Ah, I've had everything on the menu. Uh, surprise me.
The waitress disappears out back. George goes back to reading. Behind him, abeautiful woman enters, and approaches him.
DANIELLE: (to George) Neil.
The woman touches George on his shoulder, to get his attention.
DANIELLE: Neil.
George turns to face the woman.
DANIELLE: (apologetic) Oh, I am sorry. (smiling broadly) I'm supposed to meetmy boyfriend here. He looks just like you.
GEORGE: (bemused) Really?
DANIELLE: (smiling) Yeah.
GEORGE: (pointing to himself) Like me?
DANIELLE: Uh-huh. Sorry.
Danielle walks away with a wave. George sits there, looking stunned.
GEORGE: (confused, to himself) Like me? But how?
The waitress returns from the back and puts a plate down on the counterbefore George.
WAITRESS: Here's your halibut omelette. Surprised?
GEORGE: Yes, yes, I am.
Scene At the restaurant!
George is coming from the bathroom to sit with his bride-to-be.
George: I will never understand the bathrooms in this country. Why is it that the doors on the stalls do not come all the way down to the floor?
Susan: Well, maybe it's so you can see if there's someone in there.
George: Isn't that why we have locks on the doors?
Susan: Well, as a backup system, in case the lock is broken, you can see if it's taken.
George: A backup system? We're designing bathroom doors with our legs exposed in anticipation of the locks not working? That's not a system. That's a complete breakdown of the system.
Susan: Can we change the subject, please?
George: Why? What's wrong with the subject? This is a bad subject?
Susan: No, fine. If you wanna keep talking about it, we'll talk about it.
George: It's not that I want to keep talking about it? just think that the subject should resolve itself based on its own momentum.
Susan: Well, I didn't think that it had any momentum.
George: (To himself) How am I gonna do this? I'm engaged to this woman? She doesn't even like me. Change the subject? Toilets were the subject. We don't even share the same interests.
m.a. handrit að öllum þáttunum.
Birti af því tilefni þrjú góð samtöl
[Setting: Jerry and George on a Bus]
GEORGE: It's just not good, it's not good.
JERRY: It's not good ?
GEORGE: I'm bored. She's boring, I'm boring, we're both boring. We got out to eat, we both read newspapers.
JERRY: Well at breakfast everybody reads.
GEORGE: No. Lunch we read, dinner we read.
JERRY: You read during lunch?
GEORGE: Ya
JERRY: Oh, well.
GEORGE: There's nothing to talk about.
JERRY: Ya, what's there to talk about.
GEORGE: Well at least you and I are talking about how there's nothing to talk about.
JERRY: Why don't you talk to her about how there's nothing to talk about?
GEORGE: She knows there is nothing to talk about.
JERRY: At least you'll be talking.
GEORGE: Oh shut up.(Al comes onto the bus)
AL: Hey, look who's here.
JERRY: Hey, Al.
GEORGE: Hey, Al. How's it going?
AL: (extremely happy) Deeply in love. We have soo many things to talk about. Sometimes we'll talk all night, till the sun comes up (pauses in his happiness; to George) so how about you?
GEORGE: Oh I'm seeing someone, yes. You know her, Daphne Bower.
AL: Great girl.
GEORGE: We have no need to speak. We communicate with deep soulful looks.
[Monk's]
George is sitting at the counter perusing a magazine. The waitress comes overto take his order.
WAITRESS: What d'you want?
GEORGE: Ah, I've had everything on the menu. Uh, surprise me.
The waitress disappears out back. George goes back to reading. Behind him, abeautiful woman enters, and approaches him.
DANIELLE: (to George) Neil.
The woman touches George on his shoulder, to get his attention.
DANIELLE: Neil.
George turns to face the woman.
DANIELLE: (apologetic) Oh, I am sorry. (smiling broadly) I'm supposed to meetmy boyfriend here. He looks just like you.
GEORGE: (bemused) Really?
DANIELLE: (smiling) Yeah.
GEORGE: (pointing to himself) Like me?
DANIELLE: Uh-huh. Sorry.
Danielle walks away with a wave. George sits there, looking stunned.
GEORGE: (confused, to himself) Like me? But how?
The waitress returns from the back and puts a plate down on the counterbefore George.
WAITRESS: Here's your halibut omelette. Surprised?
GEORGE: Yes, yes, I am.
Scene At the restaurant!
George is coming from the bathroom to sit with his bride-to-be.
George: I will never understand the bathrooms in this country. Why is it that the doors on the stalls do not come all the way down to the floor?
Susan: Well, maybe it's so you can see if there's someone in there.
George: Isn't that why we have locks on the doors?
Susan: Well, as a backup system, in case the lock is broken, you can see if it's taken.
George: A backup system? We're designing bathroom doors with our legs exposed in anticipation of the locks not working? That's not a system. That's a complete breakdown of the system.
Susan: Can we change the subject, please?
George: Why? What's wrong with the subject? This is a bad subject?
Susan: No, fine. If you wanna keep talking about it, we'll talk about it.
George: It's not that I want to keep talking about it? just think that the subject should resolve itself based on its own momentum.
Susan: Well, I didn't think that it had any momentum.
George: (To himself) How am I gonna do this? I'm engaged to this woman? She doesn't even like me. Change the subject? Toilets were the subject. We don't even share the same interests.
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